Joseph Anthony mission statement and 2019 photographic safaris in Kenya and South Africa.
Scroll through the slideshow brochures below for more details.
WITH SO MANY photographers offering photo safaris and workshops I wanted to explain what I have to offer that I believe not many others do.
Hello my name is Joseph Anthony and if you are reading this I hope you will learn more about me as a photographer and photography instructor. I want to make a positive impact in the industry while instilling strong ethical approaches to photography especially with regard to wildlife and landscape subjects. No photograph is worth its salt if it has resulted in the stress of an animal, damage to the environment or disrespect for people. I also want to maintain the highest standards of integrity and best practices.
Unlike the vast majority of photographers out there claiming to "teach" you photography, I have a professional background in teaching from a previous career in aviation as a flying instructor and airline pilot so I have trained myself to use both the technical and creative sides of my brain as well as maintaining high personal standards and professionalism in a challenging and highly competitive industry with serious responsibilities. I transposed those skills and disciplines with strong work ethics and incorporated them into photographic teaching alongside developing my own photography skills across multiple genres through a combination of formal teaching, self learning, being mentored by industry leaders and sheer hard graft in professional and some cases extremely challenging outdoor environments. I have worked with wildlife and conservation organisations, the Nikon camera company, editors of top magazines and newspapers, provided exclusive and time critical photo news stories for the worlds media, worked to test equipment, shoot assignments, achieved high profile awards and exhibited several times around the world across a variety of genres. I understand the requirements for commercial and artistic printing needs, book making as well as the differences compared to digital online publishing. This breadth and depth of my knowledge and experience is a unique selling point as I can teach insights and skills to any level of photographer.
Although wildlife and nature photography is my main area of passion and arguably expertise, I chose to develop my skills across multiple genres contrary to the advise of many who think specialising is the easiest way to "make it" in the industry. To some extent as a lone photographer trying to make a name for themselves this might be sound advice but as I am also driven to provide the best TEACHING I can for others to learn from, I would feel like a fraud to call myself a photographer if I did not avail myself of the broadest possible range of skills in order to teach more effectively.
Given the introduction above, I believe that one of the keys to effectively imparting knowledge is being able to explain a concept or technique in more than one way because we all learn and respond to teaching differently. One explanation or demonstration might work for some but others might struggle to grasp the concept. Effective teachers need to be able to dig into their tool box and find other ways to explain the same thing. I'm sure you have all had teachers with lots of knowledge but who have no clue how to teach what they know! Being a good teacher is a SKILL and it is distinctly separate from being a great photographer! So do not be lulled into thinking that just because a famous photographer is hosting an expensive workshop or safari that they will be effective teachers.
Unfortunately there are also many photographers who think they are offering tuition when in fact they just use clients time and money to help them build their own portfolios or they choose quantity over quality when it comes to the size of their groups. It should be apparent that I have no need or desire to build my portfolio given the breadth and depth of my professional archive. For me photo safaris and workshops are entirely about the customer experience and I derive as much joy from teaching photography as I do from my own work and lifelong personal development as a photographer. I hope from that last sentence you picked up on the clue that I consider the mastery of photography to be a lifelong pursuit of excellence alongside personal evolution. As creatives we must not rest on our laurels and while it is nice to enjoy successes, the fruits of our labour and the joy of moving people with our work, it is also important to keep pushing and growing as individuals and photographers. There are endless possibilities with photography and I believe we should all be receptive to change and learning new things from each other. The only constant in life is change!
Apart from obviously teaching field craft and bringing people closer to nature, I teach a repeatable workflow and framework to develop core competencies conveying technical aspects in clear and concise ways for beginners as well as adapting the explanations to cater for the different skill and experience levels of photographic clients. Due to my varied professional experience across multiple genres and working in extremely challenging environments with different deliverable objectives, I know how to teach photographers the need to modify the basic framework and adapt it for any personal project or professional assignment. The secret is to have a core, repeatable and reliable foundation of skills and processes and then have the additional adaptive knowledge and insights to adjust for variations in approach. This is something relatively few photographers know anything about and especially those who only teach one genre!
The unique variety of experiences I have under my belt have revealed to me secrets such as how to deliver under time pressure and how to capture strong images consistently by understanding everything from light to composition and even things like understanding risk vs reward and the necessary mental and technical approaches needed to deliver time after time. Don't think this is only the domain of the aspiring professional! The insights and techniques I teach are applicable to varying degrees for beginners as well and I promise I won't baffle you with complexity if all you seek is to take better quality images to share with family and friends. It does not matter whether you have a smartphone or top of the line equipment, I can teach you how to get the most out of what you have. There are repeatable steps to develop consistency that applies at all experience levels.
My job is to identify areas of strength and weakness as well as be highly in tune with your aspirations and what you want to achieve with your photography. I want you to grow your skill set, develop muscle memories so that you free up spare capacity to think more freely and creatively and are no longer paralysed with worry or fear about the technical aspects or what people might think about your photographs. The technical skills need to become second nature and ingrained. You can then be more confident every time you take out your camera so as to unleash your true creative potential.
While I make no apology for wanting to push everyone as far as possible in the available time I also know how to limit things depending on the ambition level and capacity for learning of my students. This is a really important teaching skill that requires a lot of experience to know how to get the most out of a student without pushing them too far where their performance levels are adversely affected.
A key take away from my teaching style is that studying and understanding the environment and wildlife behaviour is essential before you can really capture great images. I am able to demonstrate that no matter what the subject or the opportunity in the field, by taking a mindful approach to life and photography, I can prepare you mentally to get in the right mindset to make your best images. Taking this approach will make you realise there are limitless stories to tell and great photos to be made around every corner often where you might least expect to find them.
I strongly advocate a broad genre multi disciplined approach even if you are only interested in wildlife photography in order to change how you see the world, photograph familiar often photographed subjects (and even less well photographed ones) in different and fresh ways. This approach will ensure you never get artistic or creative block and ensure you create images that are true to YOUR unique creative vision. Personally I am fed up with seeing generic images on the internet where it is clear the photographer has only copied someone else's work. I am also fed up with seeing excessive use of presets and filters to copy a popular "look". These approaches are limited and your work will just get lost in the millions of others or fall out of fashion when a new look becomes more popular. By all means use them from time to time as you explore and discover what you like and prefer but I can help teach you how to create images that will stand the test of time! I don't want you to make generic images, I want to coach and nurture your creative free thinking spirit, train you to 'see' like a photographer and give you the technical know how from in camera techniques to post processing and even printing so that you are equipped with the foundation of all the necessary skills to grow as a photographer. I want to be able to look at a photograph and be able to say I know who took it without being told who did. That is the kind of photographer I want you to become. Someone who has their own unique voice and who's work speaks for itself.
At the end of the day, your camera is just an instrument and I will teach you how to master it and become a better more uniquely individual and confident photographer over time. The real secret to photography is not how expensive a camera you have or how many lenses you own, it is what is in your mind and how you communicate that to your audience. It is important to develop a clear vision and then work out what tools you need to realise that vision.
So whether you just want tips on a photo safari to take better photographs or you want guidance on developing a serious portfolio with your own unique style, I can help you achieve those goals.
Most importantly I want you to realise that where the real fun in photography lies is in the enjoyment of the PROCESS and journey getting there, not being afraid to experiment, embracing your errors along the way and how to use what you learn from those errors to make better images !
I believe in the power of photography to bring like minded people together and so as a teacher I go out of my way to ensure that all my students feel included no matter the range of skill levels or ambition and I want to make you more confident and not feel intimidated no matter what the experience level you have compared to others in the group. Of course I can also gladly arrange to give you bespoke one on one tuition if you prefer.
These and many more concepts are what I can offer you as photography instructor and mentor. My approach is meticulous, disciplined and thorough but also fun. I never want my students to feel intimidated but I do want to push them to realise their potential.
Nothing gives me greater satisfaction than to see a student having their "a-ha" moment or the joy on their faces when they take a great photograph.
My tours are carefully thought out to keep group sizes smaller and more intimate while trying to represent good value at the same time. With this in mind I keep numbers in safari vehicles low and arrange exclusive use of vehicles to give my groups the most freedom of movement possible and in order to maximise teaching in the field. During down time back at the accommodation we will work on debriefing the day, understanding downloading, back up and image editing processes as well as image critique sessions and to prepare and plan for the following day. I also assure that before a trip I arrange to talk with each client about their equipment, what they have and what additional items might be needed, their current experience levels and what they hope to achieve. Then after a trip I provide ongoing support to tidy up any loose ends, clarify any learning points that haven't yet sunk in and make myself available for ongoing learning as required.
The objective is 100 % customer satisfaction both from a photography learning point of view and to ensure you have experiences and memories of a lifetime.
Thanks for reading this mission statement and I look forward to help you change how you see the world through the wonderful medium of photography!
Please see below two different itineraries in Africa this year to suit varying budgets and experiences. More will be added over time. Feel free to contact me if you have a specific destination in mind as I can tailor to private guided experiences or very small groups as well if you have somewhere or something in mind in particular you want to photograph. It is surprisingly cost effective for me to join you as a photography host anywhere in the world for reasons I can explain when we discuss your needs!
I look forward to hearing from you.
Joseph Anthony
Hello my name is Joseph Anthony and if you are reading this I hope you will learn more about me as a photographer and photography instructor. I want to make a positive impact in the industry while instilling strong ethical approaches to photography especially with regard to wildlife and landscape subjects. No photograph is worth its salt if it has resulted in the stress of an animal, damage to the environment or disrespect for people. I also want to maintain the highest standards of integrity and best practices.
Unlike the vast majority of photographers out there claiming to "teach" you photography, I have a professional background in teaching from a previous career in aviation as a flying instructor and airline pilot so I have trained myself to use both the technical and creative sides of my brain as well as maintaining high personal standards and professionalism in a challenging and highly competitive industry with serious responsibilities. I transposed those skills and disciplines with strong work ethics and incorporated them into photographic teaching alongside developing my own photography skills across multiple genres through a combination of formal teaching, self learning, being mentored by industry leaders and sheer hard graft in professional and some cases extremely challenging outdoor environments. I have worked with wildlife and conservation organisations, the Nikon camera company, editors of top magazines and newspapers, provided exclusive and time critical photo news stories for the worlds media, worked to test equipment, shoot assignments, achieved high profile awards and exhibited several times around the world across a variety of genres. I understand the requirements for commercial and artistic printing needs, book making as well as the differences compared to digital online publishing. This breadth and depth of my knowledge and experience is a unique selling point as I can teach insights and skills to any level of photographer.
Although wildlife and nature photography is my main area of passion and arguably expertise, I chose to develop my skills across multiple genres contrary to the advise of many who think specialising is the easiest way to "make it" in the industry. To some extent as a lone photographer trying to make a name for themselves this might be sound advice but as I am also driven to provide the best TEACHING I can for others to learn from, I would feel like a fraud to call myself a photographer if I did not avail myself of the broadest possible range of skills in order to teach more effectively.
Given the introduction above, I believe that one of the keys to effectively imparting knowledge is being able to explain a concept or technique in more than one way because we all learn and respond to teaching differently. One explanation or demonstration might work for some but others might struggle to grasp the concept. Effective teachers need to be able to dig into their tool box and find other ways to explain the same thing. I'm sure you have all had teachers with lots of knowledge but who have no clue how to teach what they know! Being a good teacher is a SKILL and it is distinctly separate from being a great photographer! So do not be lulled into thinking that just because a famous photographer is hosting an expensive workshop or safari that they will be effective teachers.
Unfortunately there are also many photographers who think they are offering tuition when in fact they just use clients time and money to help them build their own portfolios or they choose quantity over quality when it comes to the size of their groups. It should be apparent that I have no need or desire to build my portfolio given the breadth and depth of my professional archive. For me photo safaris and workshops are entirely about the customer experience and I derive as much joy from teaching photography as I do from my own work and lifelong personal development as a photographer. I hope from that last sentence you picked up on the clue that I consider the mastery of photography to be a lifelong pursuit of excellence alongside personal evolution. As creatives we must not rest on our laurels and while it is nice to enjoy successes, the fruits of our labour and the joy of moving people with our work, it is also important to keep pushing and growing as individuals and photographers. There are endless possibilities with photography and I believe we should all be receptive to change and learning new things from each other. The only constant in life is change!
Apart from obviously teaching field craft and bringing people closer to nature, I teach a repeatable workflow and framework to develop core competencies conveying technical aspects in clear and concise ways for beginners as well as adapting the explanations to cater for the different skill and experience levels of photographic clients. Due to my varied professional experience across multiple genres and working in extremely challenging environments with different deliverable objectives, I know how to teach photographers the need to modify the basic framework and adapt it for any personal project or professional assignment. The secret is to have a core, repeatable and reliable foundation of skills and processes and then have the additional adaptive knowledge and insights to adjust for variations in approach. This is something relatively few photographers know anything about and especially those who only teach one genre!
The unique variety of experiences I have under my belt have revealed to me secrets such as how to deliver under time pressure and how to capture strong images consistently by understanding everything from light to composition and even things like understanding risk vs reward and the necessary mental and technical approaches needed to deliver time after time. Don't think this is only the domain of the aspiring professional! The insights and techniques I teach are applicable to varying degrees for beginners as well and I promise I won't baffle you with complexity if all you seek is to take better quality images to share with family and friends. It does not matter whether you have a smartphone or top of the line equipment, I can teach you how to get the most out of what you have. There are repeatable steps to develop consistency that applies at all experience levels.
My job is to identify areas of strength and weakness as well as be highly in tune with your aspirations and what you want to achieve with your photography. I want you to grow your skill set, develop muscle memories so that you free up spare capacity to think more freely and creatively and are no longer paralysed with worry or fear about the technical aspects or what people might think about your photographs. The technical skills need to become second nature and ingrained. You can then be more confident every time you take out your camera so as to unleash your true creative potential.
While I make no apology for wanting to push everyone as far as possible in the available time I also know how to limit things depending on the ambition level and capacity for learning of my students. This is a really important teaching skill that requires a lot of experience to know how to get the most out of a student without pushing them too far where their performance levels are adversely affected.
A key take away from my teaching style is that studying and understanding the environment and wildlife behaviour is essential before you can really capture great images. I am able to demonstrate that no matter what the subject or the opportunity in the field, by taking a mindful approach to life and photography, I can prepare you mentally to get in the right mindset to make your best images. Taking this approach will make you realise there are limitless stories to tell and great photos to be made around every corner often where you might least expect to find them.
I strongly advocate a broad genre multi disciplined approach even if you are only interested in wildlife photography in order to change how you see the world, photograph familiar often photographed subjects (and even less well photographed ones) in different and fresh ways. This approach will ensure you never get artistic or creative block and ensure you create images that are true to YOUR unique creative vision. Personally I am fed up with seeing generic images on the internet where it is clear the photographer has only copied someone else's work. I am also fed up with seeing excessive use of presets and filters to copy a popular "look". These approaches are limited and your work will just get lost in the millions of others or fall out of fashion when a new look becomes more popular. By all means use them from time to time as you explore and discover what you like and prefer but I can help teach you how to create images that will stand the test of time! I don't want you to make generic images, I want to coach and nurture your creative free thinking spirit, train you to 'see' like a photographer and give you the technical know how from in camera techniques to post processing and even printing so that you are equipped with the foundation of all the necessary skills to grow as a photographer. I want to be able to look at a photograph and be able to say I know who took it without being told who did. That is the kind of photographer I want you to become. Someone who has their own unique voice and who's work speaks for itself.
At the end of the day, your camera is just an instrument and I will teach you how to master it and become a better more uniquely individual and confident photographer over time. The real secret to photography is not how expensive a camera you have or how many lenses you own, it is what is in your mind and how you communicate that to your audience. It is important to develop a clear vision and then work out what tools you need to realise that vision.
So whether you just want tips on a photo safari to take better photographs or you want guidance on developing a serious portfolio with your own unique style, I can help you achieve those goals.
Most importantly I want you to realise that where the real fun in photography lies is in the enjoyment of the PROCESS and journey getting there, not being afraid to experiment, embracing your errors along the way and how to use what you learn from those errors to make better images !
I believe in the power of photography to bring like minded people together and so as a teacher I go out of my way to ensure that all my students feel included no matter the range of skill levels or ambition and I want to make you more confident and not feel intimidated no matter what the experience level you have compared to others in the group. Of course I can also gladly arrange to give you bespoke one on one tuition if you prefer.
These and many more concepts are what I can offer you as photography instructor and mentor. My approach is meticulous, disciplined and thorough but also fun. I never want my students to feel intimidated but I do want to push them to realise their potential.
Nothing gives me greater satisfaction than to see a student having their "a-ha" moment or the joy on their faces when they take a great photograph.
My tours are carefully thought out to keep group sizes smaller and more intimate while trying to represent good value at the same time. With this in mind I keep numbers in safari vehicles low and arrange exclusive use of vehicles to give my groups the most freedom of movement possible and in order to maximise teaching in the field. During down time back at the accommodation we will work on debriefing the day, understanding downloading, back up and image editing processes as well as image critique sessions and to prepare and plan for the following day. I also assure that before a trip I arrange to talk with each client about their equipment, what they have and what additional items might be needed, their current experience levels and what they hope to achieve. Then after a trip I provide ongoing support to tidy up any loose ends, clarify any learning points that haven't yet sunk in and make myself available for ongoing learning as required.
The objective is 100 % customer satisfaction both from a photography learning point of view and to ensure you have experiences and memories of a lifetime.
Thanks for reading this mission statement and I look forward to help you change how you see the world through the wonderful medium of photography!
Please see below two different itineraries in Africa this year to suit varying budgets and experiences. More will be added over time. Feel free to contact me if you have a specific destination in mind as I can tailor to private guided experiences or very small groups as well if you have somewhere or something in mind in particular you want to photograph. It is surprisingly cost effective for me to join you as a photography host anywhere in the world for reasons I can explain when we discuss your needs!
I look forward to hearing from you.
Joseph Anthony
Wanting to understand how best to process your images in Adobe Lightroom?
I can provide one to one training or small group classes for how to use Adobe Lightroom from capture to print as well as photography mentoring / tuition with workshops. This can be in person anywhere in Hong Kong or overseas or via Skype or Face Time calls. I can structure a course tailor made depending on your experience levels and desired objectives with initial free interview to understand your goals and requirements.
Pricing for any tuition is generally as follows:
2500 HKD for minimum of 2 hours can include 2 people for the price of 1!
Sliding scale if wanting more tuition reaching a minimum of 800 HKD per hour after reaching 10 hours of tuition.
For post processing tuition only, there are two options:
Small group classes:
If you prefer the small group classes please make bookings via the following website where dates, times and details of course content can be found. The classes are held in a convenient Central location. Discounts available for the upcoming classes!
hkphotoworkshop.com/lightroom-photography-class/
The editing workflows part of the teaching can be applied to other processing software should you choose not to use Lightroom for your processing as in general terms the techniques apply across all RAW processing programs. I have familiarity also with Capture One by Phase One. Users of Adobe Camera Raw should consider using Adobe Lightroom because the RAW processing engine is the same but you can take advantage of the myriad of other tools and organisational features in Lightroom.
Private tuition:
2500 HKD for 2 hours. Can include up to 2 people for the price of 1!
Equipment needed: laptop or desktop computer (PC or Mac) with Lightroom CC installed or Lightroom standalone software.
In general I suggest 2 hours per session and as many sessions as required until you feel comfortable with the process. I will include follow up as required for questions from each session. I can also accommodate up to 2 people in a private class so you can share the cost if that helps.
You will learn a lot and in the long run my accelerated way of getting you to learn the key techniques will ultimately save you time and money. It worked for me and I am now offering to teach this to you.
Please contact me for details. About tab has my email address. The description below shows you how comprehensive the course content can be.
I can provide one to one training or small group classes for how to use Adobe Lightroom from capture to print as well as photography mentoring / tuition with workshops. This can be in person anywhere in Hong Kong or overseas or via Skype or Face Time calls. I can structure a course tailor made depending on your experience levels and desired objectives with initial free interview to understand your goals and requirements.
Pricing for any tuition is generally as follows:
2500 HKD for minimum of 2 hours can include 2 people for the price of 1!
Sliding scale if wanting more tuition reaching a minimum of 800 HKD per hour after reaching 10 hours of tuition.
For post processing tuition only, there are two options:
Small group classes:
If you prefer the small group classes please make bookings via the following website where dates, times and details of course content can be found. The classes are held in a convenient Central location. Discounts available for the upcoming classes!
hkphotoworkshop.com/lightroom-photography-class/
The editing workflows part of the teaching can be applied to other processing software should you choose not to use Lightroom for your processing as in general terms the techniques apply across all RAW processing programs. I have familiarity also with Capture One by Phase One. Users of Adobe Camera Raw should consider using Adobe Lightroom because the RAW processing engine is the same but you can take advantage of the myriad of other tools and organisational features in Lightroom.
Private tuition:
2500 HKD for 2 hours. Can include up to 2 people for the price of 1!
Equipment needed: laptop or desktop computer (PC or Mac) with Lightroom CC installed or Lightroom standalone software.
In general I suggest 2 hours per session and as many sessions as required until you feel comfortable with the process. I will include follow up as required for questions from each session. I can also accommodate up to 2 people in a private class so you can share the cost if that helps.
You will learn a lot and in the long run my accelerated way of getting you to learn the key techniques will ultimately save you time and money. It worked for me and I am now offering to teach this to you.
Please contact me for details. About tab has my email address. The description below shows you how comprehensive the course content can be.
MODULE CONTENTS
Basic overview:
Understanding the non destructive philosophy behind the design of Lightroom so you can be confident when you process your images.
Understanding why Lightroom can be used virtually 100% of the time for your entire workflow.
Moving from Adobe Bridge, Adobe Camera Raw, Photoshop and other editing software to Lightroom and why that is easy and recommended.
Introduction to the power of Lightroom’s organisational features.
Basics of importing, cataloging, folder management, backing up.
Familiarity with the Lightroom environment.
Introduction to all the modules Library, Develop, Map, Book, Slideshow, Print, Web
Basic introduction to Presets, Snapshots, History, Collections, Smart collections, keywording, ratings, virtual copies.
Initial basic workflow familiarisation examples using GLOBAL adjustments only.
Understand Lightroom’s limitations for specific situations and how to deal with those rare occasions.
Introduction to using Lightroom mobile. Powerful advantage of having a Creative Cloud subscription allows you to make edits on a tablet or even smartphone and share images from your main computer with the mobile devices and vice versa!
Advanced features:
Understanding RAW processing and the advantages over jpeg.
In depth use of Develop module tools with examples and work through.
Advanced LOCAL adjustments and retouching techniques.
Use of history and snapshots.
Spot healing and cloning techniques, red eye reduction, graduated filter, radial filter, adjustment brush.
Guidance on noise control, sharpening, lens profile correction, split toning, chromatic abberation, dehaze, vignette.
Use of HDR and panoramic stitching functions.
Black and white processing.
Tips, tricks and less well known but useful features.
Typical advanced workflow examples from start to finish.
Advanced keywording and organisational methods, advanced search techniques, facial recognition tool.
Advanced exporting, tips for social media exporting.
In depth Print module including some advanced colour management guidance.
Map, Slideshow, Book, Web modules.
Round trip to Photoshop and back to Lightroom if required.
Trouble shooting.
Using Plug ins and presets.
Customising Lightroom.
Setting up preferences and backing up your images and catalogs.
Creating time lapse video using Lightroom.
Tethered shooting which is using Lightroom for importing images in real time while shooting as your camera is tethered to your computer.
In depth Lightroom mobile.
Understanding the non destructive philosophy behind the design of Lightroom so you can be confident when you process your images.
Understanding why Lightroom can be used virtually 100% of the time for your entire workflow.
Moving from Adobe Bridge, Adobe Camera Raw, Photoshop and other editing software to Lightroom and why that is easy and recommended.
Introduction to the power of Lightroom’s organisational features.
Basics of importing, cataloging, folder management, backing up.
Familiarity with the Lightroom environment.
Introduction to all the modules Library, Develop, Map, Book, Slideshow, Print, Web
Basic introduction to Presets, Snapshots, History, Collections, Smart collections, keywording, ratings, virtual copies.
Initial basic workflow familiarisation examples using GLOBAL adjustments only.
Understand Lightroom’s limitations for specific situations and how to deal with those rare occasions.
Introduction to using Lightroom mobile. Powerful advantage of having a Creative Cloud subscription allows you to make edits on a tablet or even smartphone and share images from your main computer with the mobile devices and vice versa!
Advanced features:
Understanding RAW processing and the advantages over jpeg.
In depth use of Develop module tools with examples and work through.
Advanced LOCAL adjustments and retouching techniques.
Use of history and snapshots.
Spot healing and cloning techniques, red eye reduction, graduated filter, radial filter, adjustment brush.
Guidance on noise control, sharpening, lens profile correction, split toning, chromatic abberation, dehaze, vignette.
Use of HDR and panoramic stitching functions.
Black and white processing.
Tips, tricks and less well known but useful features.
Typical advanced workflow examples from start to finish.
Advanced keywording and organisational methods, advanced search techniques, facial recognition tool.
Advanced exporting, tips for social media exporting.
In depth Print module including some advanced colour management guidance.
Map, Slideshow, Book, Web modules.
Round trip to Photoshop and back to Lightroom if required.
Trouble shooting.
Using Plug ins and presets.
Customising Lightroom.
Setting up preferences and backing up your images and catalogs.
Creating time lapse video using Lightroom.
Tethered shooting which is using Lightroom for importing images in real time while shooting as your camera is tethered to your computer.
In depth Lightroom mobile.
